photographing bikes

Discussion in 'Australian Motorcycles' started by Daniel M, Sep 23, 2003.

  1. Daniel M

    Daniel M Guest

    A mate of mine is heading to Eastern Creek for a open day there of riding.
    He has asked me to come and get some photos of him, has anybody here done
    this kind of thing?
    My camera can use a shutter speed of 15seconds--->1/2000th of a second, and
    was hoping to find somebody who has a nice speed for getting the background
    blurred but hopefully the rider not-so blurred for a speed looking effect

    Cheers
     
    Daniel M, Sep 23, 2003
    #1
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  2. Daniel M

    vinyl Guest

    2000th, if the aperture will handle it. Pan with the bike, easier done
    exiting slow turns.
     
    vinyl, Sep 23, 2003
    #2
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  3. The only time I've played with this type of photography I used around
    1/250th. I did a few with faster shutter speeds but the bike looked
    stationary, with everything that should be blurred (like the wheel
    spokes) non-blurred.
    To get the background blurred you could play with the depth of field,
    either with the zoom or aperture. But what I did was to use the zoom
    to frame the picture and then pan with the bike. that way I found the
    bike was relatively non-blurred and the background had a kind of
    moving blur. It took a few goes and I wasted a fair few shots but the
    ones that turned out looked great.
    __


    Cheers
    The Happy Drunk
    K100RT
     
    The Happy Drunk, Sep 23, 2003
    #3
  4. Daniel M

    Moike Guest


    er... going from 1/2000 to 1/250 will give you a bigger aperture (smaller
    number) and less depth of field.
    But it should get the required effect if you can pan nicely.

    Moike
     
    Moike, Sep 23, 2003
    #4
  5. Daniel M

    CrazyCam Guest

    Depending on who is running the day, you may well be limited to what you
    can see from the pit area or the stand.

    Most of the operators won't allow "casual" photographers out into more
    interesting areas, but have pros doing the picture taking.

    regards,
    CrazyCam
     
    CrazyCam, Sep 23, 2003
    #5
  6. Daniel M

    paulh Guest

    Having done quite a bit of such photography I'd suggest, as per vinyl
    (eventually), about 1/250th to 1/125th.. no higher ideally... MOST
    important is to learn how to pan the camera smoothly. To do this
    practice moving your camera in smooth arcs across the frame of
    reference. then when you take the actual shots be REAL smooth on the
    shutter button.. or you'll jerk the camera.
    Its your panning that will make the background blurry and a smooth
    shutter release that will make your shot sharp.

    paulh
     
    paulh, Sep 23, 2003
    #6
  7. Daniel M

    conehead Guest

    You're right of course, Mike, you always are.
    I've gotta stop posting sober - it just doesn't work.

    --
    Conehead
    "Your credibilty along with all the other people arguing in this thread has
    been totally distroyed... I am copying this thread and will send it... but
    I'll send it not to the parents, but to a couple of magazines I know..."
    kiwipete in a hissy-fit
     
    conehead, Sep 23, 2003
    #7
  8. Daniel M

    conehead Guest

    Hang on....I was right after all. Damn you Moike, you had me doubting my
    infallibility, you....you....god your a photographic fuckwit mike

    --
    Conehead
    "Your credibilty along with all the other people arguing in this thread has
    been totally distroyed... I am copying this thread and will send it... but
    I'll send it not to the parents, but to a couple of magazines I know..."
    kiwipete in a hissy-fit
     
    conehead, Sep 23, 2003
    #8
  9. Daniel M

    conehead Guest

    mumble mumble fuckin overeducated dimwits named moike mumble

    --
    Conehead
    "Your credibilty along with all the other people arguing in this thread has
    been totally distroyed... I am copying this thread and will send it... but
    I'll send it not to the parents, but to a couple of magazines I know..."
    kiwipete in a hissy-fit
     
    conehead, Sep 23, 2003
    #9
  10. Daniel M

    smack Guest

    If only you could delete posts



     
    smack, Sep 23, 2003
    #10
  11. Daniel M

    conehead Guest

    Heh....you know how it happens, smack, you think someone is not a complete
    idiot, and is therfore smarter than one's self......
    --
    Conehead
    "Your credibilty along with all the other people arguing in this thread has
    been totally distroyed... I am copying this thread and will send it... but
    I'll send it not to the parents, but to a couple of magazines I know..."
    kiwipete in a hissy-fit
     
    conehead, Sep 23, 2003
    #11
  12. Daniel M

    sanbar Guest

    Use a good telephoto lens. They have a very narrow point of focus, and
    the background will blur awesomely.
    - sanbar
     
    sanbar, Sep 23, 2003
    #12
  13. Daniel M

    smack Guest

    yeah, but Moike is college edumacated


     
    smack, Sep 23, 2003
    #13
  14. Daniel M

    Uncle Bully Guest

    I never understood why the button is where it is. Surely a remote shutter
    button would be the go?
     
    Uncle Bully, Sep 23, 2003
    #14
  15. Daniel M

    conehead Guest

    But then you would need someone to hold the camera for you.

    --
    Conehead
    "Your credibilty along with all the other people arguing in this thread has
    been totally distroyed... I am copying this thread and will send it... but
    I'll send it not to the parents, but to a couple of magazines I know..."
    kiwipete in a hissy-fit
     
    conehead, Sep 23, 2003
    #15
  16. Daniel M

    Theo Bekkers Guest

    "Uncle Bully" wrote
    It's had to pan without holding the camera. I have a remote shutter
    button for my camera. A tiny little TV type remote with four buttons.
    Even operates the zoom.

    Theo
     
    Theo Bekkers, Sep 23, 2003
    #16
  17. Daniel M

    Daniel M Guest

    Yeah unfortunatly I dont have any add on lenses yet, its only a basic camera
    (canon a70) but do have full manual control over apertures/shutter speeds
    etc so will have to try and "fake" the narrow point of focus by using a
    large aperture.
    I do have a tripod that should help with the panning also hopefully.
    Anybody got some tips on what spare parts for the bike we should be taking
    with us to the track?
     
    Daniel M, Sep 23, 2003
    #17
  18. Daniel M

    adam_c Guest

    Sorry, but no pointers on the photography side of things, as I'm usually
    behind a video camera, however, there are two decent points on the track
    that you can get close to the bikes, whilst they are turning corners. They
    are: Turn two: Long 180 degree sweeper with the bikes turning from your
    right (approaching), across your left side toward you and out the right in
    front of you. Then there's the last turn before the front straight, where
    you can see the riders coming off the hill behind the pits, along a small
    straight toward you then a right hander and two left handers before the
    front straight. You've got a while to get things right here as you can
    follow 'em for a while, but probably not as good photography-wise as turn
    two.

    Hope this helps.

    Adam
     
    adam_c, Sep 24, 2003
    #18
  19. Daniel M

    Nev.. Guest

    I have the Canon Powershot A40 (the model superseded by the A70) and **** all
    experience with cameras. At the superbikes last year I took some snaps of
    bikes coming out of Siberia. Used only the Full Auto mode (no way I can set
    it up to take a picture better than it can do itself). One point worth
    noting, because the camera focus is automatic (I don't think you can focus
    manually with this camera even in full manual mode) you'll need to focus
    before you want to take the pic or else it'll end up focussing at the wrong
    object (like the horizon). I found that aiming at the ground at the near side
    of the track, pressing the button half way to focus on that, then keeping that
    focus till the bike comes past and you're ready to take the photo did a
    reasonable job of keeping the bikes in focus.

    Nev..
    '02 CBR1100XX #2
     
    Nev.., Sep 24, 2003
    #19
  20. Daniel M

    Dane Guest

    Dane, Sep 24, 2003
    #20
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