Ping TOG: Digital SLRs

Discussion in 'UK Motorcycles' started by SteveH, Mar 23, 2008.

  1. Horses for courses, innit? Can you imagine trying to snap an F1 race
    with an 8x10 plate camera? Ansel Adams might have stood a chance, but
    most of his subjects didn't move very much.
    --
    Dave
    GS850x2 XS650 SE6a

    "A scone and tea at half past three
    Makes the day a little brighter
    Keep your cakes and fancy tarts
    And stick them up your shiter."
     
    Grimly Curmudgeon, Mar 24, 2008
    #61
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  2. Indeed, and I'm glad of it too. When the digi revolution came many threw
    out the baby with the bathwater, in the mistaken impression their old
    kit was of no use anymore.
    --
    Dave
    GS850x2 XS650 SE6a

    "A scone and tea at half past three
    Makes the day a little brighter
    Keep your cakes and fancy tarts
    And stick them up your shiter."
     
    Grimly Curmudgeon, Mar 24, 2008
    #62
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  3. SteveH

    prawn Guest

    Can I just chip in here. My ex is a lo-fi camera[1] user and does some
    fucking interesting work with it. Get over yourselves will you?

    [1] And actively seeks out rubbish optical/digital cameras for source
    material.
     
    prawn, Mar 24, 2008
    #63
  4. SteveH

    platypus Guest

    If image is everything, surely the thing to have would be a Leica M3 with a
    90mm f:2.8 Elmarit and a roll of Pan F?
     
    platypus, Mar 24, 2008
    #64
  5. SteveH

    Timo Geusch Guest

    <pats M2>

    Yes? And?

    Actually, there are some Adox emulsions out there that are even
    finer-grained than PAN F and produce spectacular results.
     
    Timo Geusch, Mar 24, 2008
    #65
  6. SteveH

    platypus Guest

    Excessively fashionable, smacks of trying too hard.
    Back in the early '90s, I was using Ektar 25 in Super Ikontas and the like.
     
    platypus, Mar 24, 2008
    #66
  7. Why not? Whatever suits the user. But imo, relying solely on AF is
    short-sighted. One should always have a fall-back position if the gear
    fucks up (and it will, surely at the most awkward time). That means
    knowing how to use manual settings if necessary and being familiar
    enough with them to pull off a good shot reliably. Every AF snapper who
    is in any way serious about their craft should have an MF lens that they
    are familiar with that will allow them to get some in.
    --
    Dave
    GS850x2 XS650 SE6a

    "A scone and tea at half past three
    Makes the day a little brighter
    Keep your cakes and fancy tarts
    And stick them up your shiter."
     
    Grimly Curmudgeon, Mar 24, 2008
    #67
  8. Every AF lens I've seen can be switched to manual if desired.
     
    The Older Gentleman, Mar 24, 2008
    #68
  9. SteveH

    ginge Guest

    Or know how to flick the switch on the lens to MF, then focus it in the
    traditional way, perhaps?

    Buying a manual lens to do so would just be posing with retro equipment
    for the sake of it. :)
     
    ginge, Mar 24, 2008
    #69
  10. SteveH

    Timo Geusch Guest

    Depends on what you want them for, isn't it? For a compact, discreet
    camera that looks like a toy to most people and has superb lenses,
    they're very hard to beat.
    Unfortunately Kodak dropped a lot of emulsions like that - I'm glad I
    can still get Tri-X for the time being, but other than that and the
    resurrected Ilford (with a somewhat limited range, too), you'll need to
    go to specialist suppliers these days.
     
    Timo Geusch, Mar 24, 2008
    #70
  11. What about when the surprisingly crappy plastic gears fail? No MF then,
    old bean.
    <taps side of nose>
    <ow>
    Nowt wrong with a Tamron SP 28-80 in yer bag as standby - a lens for
    life, for them wot knows.

    Actually, there's only one lens I've got that's a bit of a poseurs
    weapon - the Novaflex. It's just soooo big. It's one I lusted after 30
    years ago. Cost me a tenth of the new price for NOS from a German
    dealer.
    --
    Dave
    GS850x2 XS650 SE6a

    "A scone and tea at half past three
    Makes the day a little brighter
    Keep your cakes and fancy tarts
    And stick them up your shiter."
     
    Grimly Curmudgeon, Mar 24, 2008
    #71
  12. SteveH

    sweller Guest

    I'd disagree. For 99% of my use on a film SLR I use a fast 50mm lens.
     
    sweller, Mar 26, 2008
    #72
  13. SteveH

    sweller Guest

    I still have my beloved Lubitel. I rather perversely used it to document
    one of my trips across Stalinist Europe.

    I'd decided on using ORWO film (which had to be processed in the GDR) and
    they were never seen again. Inefficient bastards.
     
    sweller, Mar 26, 2008
    #73
  14. SteveH

    platypus Guest

    I used mine for covert hand-held low-light shots of the ceiling of the Pitti
    Palace, and they came out a lot better than expected.
    You shouldn't have been taking pictures of the missile silos.
     
    platypus, Mar 26, 2008
    #74
  15. There's a UK lab which processes old film stock, but it's not cheap.
    I'll have a rummage.
    --
    Dave
    GS850x2 XS650 SE6a

    "A scone and tea at half past three
    Makes the day a little brighter
    Keep your cakes and fancy tarts
    And stick them up your shiter."
     
    Grimly Curmudgeon, Mar 26, 2008
    #75
  16. SteveH

    ogden Guest

    It's not even as if you *have* to use DX lenses with Nikon DSLRs. So
    long as they have an AF-S drive, a 35mm F-mount lens will work fine, you
    just need to adjust for the sensor size.

    I have my eye on a 70-300 VR2 zoom (eq. 105-450 DX) and an 18-200 VR DX.
    The former should be rather handy for airshows, etc, and the latter
    would replace my existing kit lenses and eliminate all that irritating
    lens swapping.

    I just need to arrange to be drunk in front of a computer and then I'm
    sure they'll arrive in the post a few days later.

    And then I only need to learn how to take decent photos!
     
    ogden, Mar 31, 2008
    #76
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